For Re's, and for anyone reading
Privacy.
How Mi. handles your session, your album, and your story.
Quick read
- Mi. is a creative-production studio, not a clinical service.
- Your album lives in Mi. only. We do not cross-post, syndicate, or train AI on your work.
- Your music defaults to private — albums and individual tracks alike. Public release is a separate, deliberate decision — yours alone.
- You can delete everything we have on you, any time, free, in plain formats.
Who this page is for
Two readers, in this order:
The Re. The person whose Do-[Name]-Mi session becomes an album. The single most important reader. The story is theirs.
A regulator or lawyer reading this page years from now to decide whether Mi. took its work seriously. The answer is yes, and the reason is this page.
What Mi. is, and is not
Mi. is a creative-production studio operated by Misong LLC, a Florida limited liability company. We make albums. The source material is a recorded conversation called a Do-[Name]-Mi session. The output is a personal album of original songs, plus optional cover art, lyrics, a music video, and a short documentary. The participant — the Re — is the artist.
Mi. is not a clinical service. Mi.'s founder, Noel Wiggins (a.k.a. Codename: NEO), is an author, a coach, and a creative director. He is not a licensed therapist, counselor, psychologist, social worker, or medical professional. Mi. does not diagnose, treat, cure, or prevent any mental, emotional, or physical condition. Conversations in a Do-[Name]-Mi session are not therapy. The album is not a clinical record.
If you are in crisis, this page is not the right resource. Call or text 988 (Suicide and Crisis Lifeline). Go to your nearest emergency room.
A dedicated safe space
Mi. is the only place a Mi. track lives. No work created within Mi. — yours, anyone's — is cross-posted to Spotify, Apple Music, YouTube, TikTok, Instagram, or any other platform. No work is used to train any AI model. No work is sold, licensed, or shared outside Mi. without the Re's specific, written, by-name consent for that specific channel.
The point of Mi. is to be a dedicated room. A safe space where songs made for the person who lived them can be heard the way they were meant to be heard — not scraped, not recommended into oblivion, not monetized against the artist, not absorbed into a model that will then generate a thousand pale imitations.
If a Re wants their work to live somewhere else, that is the Re's decision, made by the Re, for that specific place, in writing. The default is: it lives here.
Your session, your decision — the Re's bill of rights
If you sit down for a Do-[Name]-Mi session, the following are not favors. They are commitments.
- 1
You are told, in writing and on record, what we are recording, who hears it, where it lives, and how to delete it — before recording starts.
- 2
You can stop the recording at any time. You can say “off the record for this part.” Anything you say off the record is excluded from the album, the documentary, the public catalogue, and from any creative use.
- 3
Your album defaults to private — and individual tracks can be kept private too. Only you and people you invite can stream what's private. Nothing reaches the public Mi. catalogue without an additional explicit decision from you, made after you have heard the finished work.
- 4
You can change your mind. A public album can be moved back to private at any time. We remove it from new streams within 24 hours of your request. Streams that already happened stay in the record — we cannot un-play them, and we will not lie to you about that.
- 5
You can ask for everything to be deleted. Raw recording, transcript, lyrics, masters, cover art. Within 30 days from active systems and 90 days from any backup. We keep an audit trail of the deletion itself — that is the only thing that survives, and it is there to protect both of us.
- 6
You can ask for a copy of everything we hold on you, in plain formats (WAV for audio, TXT or SRT for transcript, JSON for metadata). At any time. Free.
- 7
You are credited. Lyrics are jointly authored by you and Noel: Codename: NEO. Your chosen name appears on the work. We do not market the album using your real name without your separate written permission.
How recordings are handled
The technical posture below is HIPAA-equivalent. Mi. is not, as of this writing, a HIPAA-covered entity, and we do not claim to be. We describe the controls directly because that is more useful to you than a label would be.
| Encryption at rest | AES-256 on all stored session audio, transcripts, and derivative content. |
| Encryption in transit | TLS 1.3 (TLS 1.2 minimum) for every connection that carries session content. |
| Access control | Role-based. Raw session audio is accessible only to the production-pipeline role. Analytics, marketing, and customer support do not have access to raw content. |
| Access logging | Every read of raw recording or transcript is logged with operator identity, timestamp, and purpose code. Logs retained 6 years. |
| Retention (raw session) | Production cycle + 90 days for revision, then encrypted cold storage. Cold storage is read-locked and inaccessible to operations. |
| Retention (masters & lyrics) | For the life of the release, per the Creative Work Release you signed. Subject to your deletion request. |
| Deletion on request | Active systems: within 30 days. Backups: within 90 days, or at next rotation, whichever is sooner. |
| Breach notification | If we discover any unauthorized access, we notify you without unreasonable delay, no later than 60 days from discovery, per the FTC Health Breach Notification Rule (16 C.F.R. Part 318). |
We will not sell your session content. We will not share it with advertisers. We will not use it to train any third party's AI model. These are not aspirations; they are the contract.
AI rendering tools — what flows where
Mi.'s songs are AI-generated by a third-party music-rendering service. Mi. is intentionally tool-agnostic over time and reserves the right to change vendors. This is the most-asked question, so we answer it directly.
What the AI service receives
- The lyrics for your song (which you co-authored with Noel: Codename: NEO).
- A style-prompt: a descriptive paragraph about tempo, key, mood, instrumentation, and production aesthetic. No artist names, no song titles, no brand names.
What the AI service does NOT receive
- Your raw session recording.
- Your voice.
- Your transcript.
- Your name (chosen or legal).
- Any identifying detail from the session.
Our contract with AI vendors. We require, in writing, that the prompts and outputs we submit not be used to train the vendor's models, not be made available to other users of the vendor's service, and be deletable on request. Where a vendor cannot meet this bar, we do not use that vendor for session-derived work.
Public release — the opt-in flow
Your album lands in your library as Private, and you can set the privacy of individual tracks the same way. Private means: only you, and people you specifically invite, can stream it.
If you decide later to release it publicly on the Mi. catalogue, the flow is:
We hold the album in a 7-day cooling-off window from delivery before the “Public on Mi.” option becomes available, so the decision is not made in the first emotion of hearing it.
The toggle opens a confirmation that recaps what public means: catalogue placement, streamable globally, and revocable.
You confirm.
The album appears on the catalogue.
You can move it back to Private at any time. We remove it from new streams within 24 hours. Streams that already happened remain part of the record, regardless of future visibility. Revocation is prospective, not retroactive; we are honest about this because we have to be.
Your rights
You have all of the following, at any time, free of charge:
Access. A copy of every piece of session content and derivative work we hold on you, in plain formats.
Correction. If something in our records about you is wrong, tell us and we will fix it.
Deletion. Within 30 days from active systems, 90 days from backups. Subject to narrow legal-hold exceptions.
Portability. Your content in formats you can take elsewhere (WAV, TXT, SRT, JSON).
Opt-out of sensitive-data uses. Under the California Consumer Privacy Act (Cal. Civ. Code § 1798.140(ae)), session content qualifies as sensitive personal information. We default to the most restrictive use already; you have the right to confirm or further restrict.
My Health My Data rights. If you are a Washington resident, the Washington My Health My Data Act (RCW 19.373) gives you additional rights over health-adjacent data; we honor them regardless of your state.
To exercise any of these: contact details below.
When the law requires us to disclose
Mi. operates from Florida. We will resist any request for session content that does not have the force of law behind it. We will comply with:
A valid subpoena, court order, or warrant after we have given you notice (unless we are legally prohibited from notifying you).
We will not share session content with advertisers, with data brokers, with affiliated marketers, or with any third party for any reason not specifically authorized by you, except as required above. The FTC's In the Matter of BetterHelp, Inc. (2023) settlement makes plain what happens to companies that do otherwise. We do not intend to learn that lesson the same way.
Contact, and the equivalent of a DMCA notice
Misong LLC (d/b/a Mi.), c/o Noel Wiggins
7901 4th St N, STE 300
St. Petersburg, FL 33702
For privacy questions, deletion requests, or access requests, email legal@misong.app.
For takedown / removal of any Mi. content you believe was published without your consent — or that misuses material you contributed — we honor a DMCA-equivalent process modeled on 17 U.S.C. § 512. Send a written notice with your contact information, identification of the work, and a statement of your relationship to it. We will acknowledge within 5 business days and resolve within 30.
For methodology / inspiration / copyright concerns about a specific track, see our methodology disclaimer. The two pages are companions: this one is about your story; that one is about how we made the music around it.
Read the companion pages: methodology · become a Re